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She also made two films with John Gilbert in the 1930s, Anna Christie (1930) and The Pagan (1933). Although she did not particularly care for the result, she thought the careers of Gilbert and Norma Shearer, the leading lady in the film, would have been ruined if their films had not been profitable. She also starred in The Torrent (1933) with George Bancroft and Greta Garbo made a cameo in the 1935 film Three Live Ghosts with Boris Karloff as a violinist impersonating a ghost. In 1936, she starred in a film called The Wild Party with Mary Pickford. In 1942, she returned to MGM for Ninotchka, which was a comedic film about a woman in a Russian circus. Garbo was paid $1 million for her role in the film.
Though Hurt No More has a few missteps, it's a beautiful record that should be viewed as an important release in the history of R&B. Winans' return is a welcome one, and if this record is any indication of what he might do next, it's a return that may be worth waiting for.
If you thought that this album would sound like everything else he's done up to now, you haven't been paying attention. Not a single song sounds like anything he's done before. Often times, he sounds so different that he's not even making R&B anymore. Hurt No More is the sound of a man going to church for the first time in a decade, trying to pretend he hasn't missed it. Though he's backed up in a choir, an adult choir, it's a choir of boys. As a vocalist, he sounds like a man who has been waiting for years to get a crack at this song, and it's a very different sound from his gospel past. He's doing the same thing he's done since he was a little boy: speaking about the love that surrounds him and the love that he's lost.
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