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Around the same time, Shah joined the Bollywood industry and in turn became a mentor and lived example of the discipline and dedication needed to achieve a Bollywood film career. With Shah's guidance and the industry's gradual shift from the low-budget \"gangster film\" to the more commercial, more middle class \"Bollywood\" style films, Rahman broke into Bollywood in 1996 with the Hindi movie Saajan - in which he was heavily involved in production as well as composing the music. It was Rahman's first commercially-successful feature film. The music was given critical acclaim and even won two Filmfare awards for Best Music. His second Hindi film, Dil Se, followed in 1997. For two films in a trice, Rahman became one of the leading figures in the film industry. Dil Se was a box-office success, and Rahman shifted his focus to composing music for a large number of non-Bollywood films. Among these were a couple of Pakistani films, and a pair of Indian films based on folklore and mythology, namely Yaarana (2000) and Bhakti Mein Sri Ram (2003). At the same time, though, as part of his composer's contract with Shruti Kapoor, the film director with whom he had worked on Saajan, Rahman was required to compose the background music for Kapoor's next film - Dil Diyan Gallan. Both versions of this film were released in India on April 1, 2001. In the Ranjha - Ek Din (2001) version, Rahman also composed the background music for the club scene, but this was not in the scene in the tele-serial version where Ranjha gives his first kiss to his love interest, but the scene using Dev Bhoomi's music. Dil, Saajan and Dil Diyan Gallan were all moderate box-office success.
The same success soon followed with Dil To Pagal Hai (1998), which was a critical and commercial success. The film earned Shah his first Filmfare Award for Best Music Director, which he shared with Anand-Milind and Salim-Sulaiman. The success of Dil To Pagal Hai propelled Rahman and Shah to the top spot in the Hindi music industry. 7211a4ac4a